{"id":17224,"date":"2024-04-11T20:37:01","date_gmt":"2024-04-11T20:37:01","guid":{"rendered":"https:\/\/test.tfciadedanca.mazaltec.com.br\/2024\/04\/teste-english\/"},"modified":"2026-05-22T21:29:30","modified_gmt":"2026-05-22T21:29:30","slug":"teste-english","status":"publish","type":"post","link":"https:\/\/test.tfciadedanca.mazaltec.com.br\/en\/2024\/04\/teste-english\/","title":{"rendered":"RASTRO"},"content":{"rendered":"

Release<\/strong><\/span><\/p>\n

\u201cThe past becomes our source of inspiration; the present, an arena of breathing; and the future, our collective aspiration.\u201d \u2014 Ng\u0169g\u0129 wa Thiong\u2019o<\/p>\n

Fragments of time in spiral. A trace of movement, memory, and repetition. How does the body enter into a relationship with what it itself produces? It is the presence of an absence. Moments that have already passed and continue to fade away. A trace also of the future, an echo that announces itself before the sound. Trace as something that precedes and follows an action, while at the same time becoming a memory of what has already gone. <\/p>\n

Traces, marks, waves, reverberations, trails, presences, ghosts, events. Trace like a path of sweat that runs through the body. It’s a flash of now that’s gone. Trace as choreography that dialogues with each space; Trace as a crossing and as a figure that is formed through the insistence of repetition. Trace as presence: of a dance of the now, of the diversity of bodies, of the ways of making-thinking-feeling-acting at T.F. Cia de Dan\u00e7a. <\/p>\n


\nFotos:<\/span> <\/strong>Jo\u00e3o Benz.<\/p>\n